Hey Opi!
Saturday, September 24, 2011
Thursday, September 22, 2011
we used to make things
de-industrialization
manufacturing decline
administrative sector
information age
digital revolution
financial services
non-rivalrous goods
intellectual property
outsourcing
recession
Wednesday, September 21, 2011
Tuesday, September 20, 2011
arrested development
loopnet.com
Anyone interested as I am in neighborhood development has surely noticed the changes at 138th and Morris, diagonal from the subway.
The KFC is gone.
The permit says “Full demolition of one story three car garage.”
It actually had four bays but who’s counting?
It’s gone, too.
I shot these photos through gaps in the gate or the plywood, then assembled the vertical slivers.
It’s quiet now, the progress has halted for the moment.
Stay tuned.
in the line of duty
I’ve learned to call graffiti “aerosol art” or “spray art” when I’m talking with aficionados.
I’ve learned that “bombing” means plastering stuff almost indiscriminately, “tagging” is applying just your name or initials and “piecing” means creating a masterpiece with lots of time and multiple colors.
Websites like http://www.bombingscience.com/ cater to graffiti artists with mail order paint and other supplies like custom spray tips to create specific patterns.
Calligraphy is also a subset in the graffiti world and those who specialize in the calligraphic arts are widely admired for their “handstyles”. One of those guys was SURE.
SURE’s technique was to tag peel-and-stick labels and stick them on things around the city. His choice of label was important to him; he favored one brand over another because the smoother surface didn’t abrade his chisel point markers as quickly, allowing a cleaner line.
He ordered 1500 labels at a time and could tag them all "in about 35 minutes”. He used “red ones in Manhattan, green ones in Brooklyn, blue anywhere.”
SURE knew his pens, too, he said “Pilots are a little thinner than Sharpie and more permanent. No marker has sharper lines than a Pilot.”
In an interview last year, read what he had to say about another calligraphic artist he admired:
- “I don’t think anybody uses a chisel tip better than he does. We feel that he has great technique in his letters and the way he combines them. His letters are all individually very strong and he uses the letters that precede and follow to fill each one’s negative space. His middle letters are regimented, real solid and go up and down so well. He kicks out the “R” which complements the loop of the “T” and has a lot of form. He has ridiculously good flow– the spacing of the letters and how they interact. His letters are definitely East Coast letters but he added his touch and made it cleaner. We like the whole clean-cut look.”
SURE pix: http://www.12ozprophet.com
SURE stickers are collectors items now. He was a United States Marine with two tours in Iraq under his belt but was recently killed in the line of duty in Afghanistan. He was described as “slender and quiet” by those who knew him. I found a memorial wall here in the south Bronx by another graffiti artist known as KOSBY.
KOSBY gave him a halo, too.
These guys aren’t turning out to be who I thought they would be.
Monday, September 19, 2011
I'll have a double
architetour.com
It’s been nearly 15 years since Frank Gehry unleashed his cartoony vision on the world; the Guggenheim Museum in Bilbao opened to the public in 1997. Widely regarded as our most stunning example of deconstructivist architecture, iconic architect Philip Johnson called it "the greatest building of our time". I’ve never seen it, but Gehry’s concert hall up at BARD College is easier to get to and it’s in the same woozy, drunken style.
I visited there a couple years ago and then again, last month.
Now there’s a new one downtown!
Gehry’s 76 story tower at Eight Spruce Street in lower Manhattan is substantially completed as of February 2011 and features a refined version of his signature curvy titanium and glass exterior.
Vanity Fair named Frank Gehry "the most important architect of our age" but I may be a bit less persuaded.
He’s good, no doubt, but I can’t decide if these past 15 years have been a forward looking harbinger of buildings to come?...or...
...a self-indulgent stylistic exercise of incredible expense, eventually a white elephant mired in time alongside better buildings in the future where form follows function once again.
kolbecreative.com
They’re cool, I’ll give him that.
But does “cool” justify an incredible $875 million dollars in only 76 stories?
$12 million a STORY? Come on. Seriously?
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